Showing posts with label Miley Cyrus topless. Show all posts

Tuesday, 1 September 2015

Miley Cyrus - Interview Magazine : FACE TIME: MILEY & MERT

FASHION

FACE TIME: MILEY & MERT

Photography MERT ALAS

Published 09/01/15

She's just being Miley! Cyrus gets nude in raunchy photographs for Interview Magazine's #ME Issue after flashing her breast at VMAs

By KAYLA CALDWELL FOR DAILYMAIL.COM

PUBLISHED: 19:13, 1 September 2015 | UPDATED: 19:20, 1 September 2015

Fresh off of an unforgettable MTV Video Music Awards hosting gig complete with a collection of barely-there ensembles (and a boob flash), Miley Cyrus is back to baring her chest for a spread in Interview Magazine.

The 22-year-old is featured as one of eight covers for The #ME Issue, along with big names such as Kim Kardashian, Jennifer Lopez, Madonna, Victoria Beckham, Selena Gomez and Zayn Malik.

The issue in Andy Warhol's magazine pays tribute to the selfie trend, with stars either snapping sultry shots of themselves or being captured as they video chatted with Mert Alas.

At it again! Miley Cyrus could be seen flashing the camera on the latest cover of Interview Magazine for the #ME Issue, as she video chatted with Mert Alas

The wild star, who surprised fans by dropping her album Miley Cyrus & Her Dead Petz at the end of the VMAs, posed nearly nude in a series of shots for the social media-focused issue.

Both Miley and Mert bared their toned chests in the first shot, in which Miley stood by a guitar as she posed with her arms raised in the air, while modeling with a red bandanna tied around her neck.

In the next photograph Miley sported a form-fitting white T-shirt, which she could be seen pulling up to reveal her chest.

She held up her T-shirt with her teeth in two of the shots, in which her short, blonde tresses were pulled back and out of her face.

In the second snap, Miley's face was completely blocked by her T-shirt, as she had pulled it up over her head to reveal her breasts, while also tugging daringly low on her lacy underwear, as she posed in front of a closet.

Mert had pulled his baseball cap down over his face in the picture, which he captioned: 'Dirty in Love.'

The next snap - in which Mert called Miley 'my girl' - had the star leaning forward as she showed off a lacy, black thong while licking the ground, as her eyes were closed.

A final picture showed Miley as she appeared ready to take a bite out of something, while posing for Mert completely topless, sitting near a guitar.

He sported a red baseball cap in the shot shared to Instagram, which he captioned: 'My BABE @mileycyrus @interviewmag @fabienbaron #interviewgang #mertalas #mileycyrus #missmylove #love.'

The magazine's editorial director Fabien Baron explained the issue's social media focus, reasoning: 'Social media is where we live now, no question. And if Andy (Warhol) were still alive, he'd have a huge presence online.'

'In much the same way we at magazines put together a story and create a character or narrative, everyone can now package themselves as they see fit. Everyone can invent their own image and create their own story.'

The magazine, dubbed 'the crystal ball of pop,' was founded in 1969 by iconic pop culture artist Andy Warhol and British journalist John Wilcock.

Interview's September issue - featuring 100 of the most powerful people on the internet including: Kendall Jenner, Jeremy Scott, Carine Roitfeld, Alexander Wang, Zoë Kravitz, and Willow Smith - is on newsstands now.

Here she goes: Miley at the VMAs just before she flashed one of her breasts

Read more:

Interview Magazine

Read more: http://www.dailymail.co.uk/tvshowbiz/article-3218625/Miley-Cyrus-poses-set-raunchy-nude-photographs-one-Interview-Magazine-s-eight-covers-Issue.html#ixzz3kVv5WWqv
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Sunday, 5 July 2015

FREE TO BE MILEY - Miley Cyrus nude photos and article from Paper magazine

FREE TO BE MILEY

by Amanda Petrusich / Photography by Paola Kudack

Miley Cyrus is in the midst of making a heated point about animal rights, and she's getting so worked up about it her cheekbones are jabbing the keypad of the telephone, punctuating our conversation with errant beeps. She's calling from "the middle of the jungle" -- or, more specifically, a tiny island in the Caribbean, where she's on vacation with her family. "If you could see where I am right now, you would be laughing so hard," she says. "I feel like I'm in the middle of the Bermuda Triangle, and something is about to zap me into nothingness."

Cyrus almost immediately starts talking about how she decided to become a vegan last year. She was touring the world in support of Bangerz, her platinum 2013 album, when her beloved dog, Floyd, an Alaskan Klee Kai, was mauled by a coyote. She quit consuming animal products almost immediately. She hasn't spoken much about the switch, but she says that she's finally ready to be held accountable -- to be an example.

It turns out Cyrus is deeply interested in accountability. At 22, she's perhaps her generation's most unlikely social activist, and also one of its most powerful. Now she's harnessing that influence to counter what she sees as an unacceptable reality: young people being persecuted and cast out for their sexuality. Inspired in part by the death of Leelah Alcorn, a transgender girl who committed suicide in late 2014 after being forced to undergo so-called "conversion therapy," Cyrus recently announced the Happy Hippie Foundation, a philanthropic venture designed to raise funds and awareness for homeless and LGBT youth. "We can't keep noticing these kids too late," she says.

Last summer, when "Wrecking Ball" earned her a VMA for Video of the Year, Cyrus sent 22-year-old Jesse Helt -- one of nearly 114,000 homeless men and women presently living in California -- onstage to palm the statue. A year had passed since she'd tugged on a flesh-colored latex bikini and intimated digital intercourse with a foam finger while Robin Thicke, bedecked in Beetlejuice stripes, stood smirking behind his aviators. The 2014 performance was less jubilant, if significantly more heartfelt. Helt, reading from a small piece of paper, recounted his plight. When the camera cut to Cyrus in the audience, wearing a black leather ensemble and perched, precariously, on some kind of partition, her eyes were glinting, hot. "I felt like I was witnessing a modern-day 'I Have a Dream,' and it had nothing to do with me," she says.

Happy Hippie is designed as a corrective to what Cyrus understands as immoral politicking, the sort that pits outliers as pariahs and favors an archaic status quo. The foundation treats at-risk kids with art and animal therapies, two proven balms that have been instrumental in Cyrus' own self-care. Although she was raised Christian, Cyrus maintains a particular contempt for fundamentalist lawmakers who rally against this sort of progressive, potentially life-saving change. "Those people [shouldn't] get to make our laws," she says. Those people -- the ones who believe that, say, Noah's Ark was a real seafaring vessel. "That's fucking insane," she says. "We've outgrown that fairy tale, like we've outgrown fucking Santa and the tooth fairy."

Eventually, she says, the problem of homelessness became impossible for her to ignore. "I can't drive by in my fucking Porsche and not fucking do something," she says. "I see it all day: people in their Bentleys and their Rolls and their Ubers, driving past these vets who have fought for our country, or these young women who have been raped." She pauses. "I was doing a show two nights ago, and I was wearing butterfly nipple pasties and butterfly wings. I'm standing there with my tits out, dressed like a butterfly. How the fuck is that fair? How am I so lucky?"

Cyrus grew up outside of Nashville with her brothers and sisters on a 500-acre farm where, she says, she began a formative practice of getting up early in the morning and riding a dirt bike around in the nude. In the year of her birth, her father, Billy Ray, became briefly, colossally famous for wearing a mullet and performing a country song about getting dumped. Dolly Parton is her godmother. ("She taught me how to treat people well," Cyrus says.) In 2006, Cyrus was cast in the title role of the Disney Channel's hugely popular Hannah Montana, the gig that would handily propel her to mega-stardom.

Although her parents' marriage has been, at times, tempestuous -- each has filed for divorce and subsequently called off the proceedings -- Cyrus is wholly enamored with both. She calls her dad a "cool hippie psycho freak," which, in Cyrus' world, is praise of the highest order. Her mom, Tish, a producer and actress, is "super cosmic" and "a complete optimist, the fucking cheerleader of the universe." There is deep affection in Cyrus' voice, even when she refers to them again, later, as "conservative-ass motherfuckers."

She says she has come to consider her own sexuality -- even her own gender identification -- fluid. "I am literally open to every single thing that is consenting and doesn't involve an animal and everyone is of age. Everything that's legal, I'm down with. Yo, I'm down with any adult -- anyone over the age of 18 who is down to love me," she says. "I don't relate to being boy or girl, and I don't have to have my partner relate to boy or girl." She says she's had romantic entanglements with women that were just as serious as the ones (Liam Hemsworth, Patrick Schwarzenegger, Nick Jonas) that ended up in Us Weekly. "I've had that," she admits. "But people never really looked at it, and I never brought it into the spotlight."

She recalls confessing to her mother, at age 14, that she had romantic feelings toward women. "I remember telling her I admire women in a different way. And she asked me what that meant. And I said, I love them. I love them like I love boys," she says. "And it was so hard for her to understand. She didn't want me to be judged and she didn't want me to go to hell. But she believes in me more than she believes in any god. I just asked for her to accept me. And she has." These days, Cyrus only wants to grant others the same clemency.

Since leaving the Disney cocoon for a pop career, Cyrus has accrued equal amounts of public adoration and derision. At times the naysayers have been loud, nearly gleeful. There is, for example, a four-minute YouTube montage titled "Miley Cyrus Worst Moments" that features her jokily simulating various sex acts on her buddies, smoking alone in a parked car and crying while singing. To which I say: who among us has not had that kind of day?

There's also a sizable amount of twerking, the move for which Cyrus is infamous: hands on knees, back pitched into a perfect arc, buttocks outstretched, cheeks gyrating so wildly they appear to be operating independent of the rest of her body. It is strange, now, to think this was ever considered subversive. With Cyrus, there were initial rumblings of cultural misappropriation -- that she was not entitled to perform this dance, this way, with the partners she chose -- but then twerking got cute, trickled down, became one of those buzzwords local news anchors over-enunciate with forced bemusement while inwardly fantasizing about the first scotch of the evening.

What is less discussed is that Cyrus is a very good pop singer and occasionally a great one. She has a porous, burly voice that recalls Rumours-era Stevie Nicks -- the kind that's good for communicating particular strains of duress (specifically: what it feels like to love too hard). But what she has managed to do better than nearly anyone -- save, perhaps, Andrew W.K. -- is legitimize partying as an ideological choice. In Cyrus' hands, "La da dee da dee / We like to par-tee" becomes a resonant generational credo. That she has been persecuted for these things -- or at least openly mocked -- makes her commitment to love-yourself-no-matter-what activism even more poignant.

As for the next record, she's moving forward on her own terms, despite some nail-biting from her camp: "They're like, 'Don't make it too weird, don't make it avant-garde; you can't go from Miley to Björk!'" She's recording at all hours in a studio she recently built out of her garage in Los Angeles. "I don't have to have writers, I don't have to have fuckin' producers in there. Mike Will will text me a beat, and I'll go in my studio and work on it by myself." She says she's been listening to the Flaming Lips "almost exclusively." (Lips frontman Wayne Coyne, whom she calls "the most closest fucking human in my life," is a recent collaborator.) Also a little Gucci Mane. A little Waylon.

For Cyrus, it's less about renouncing her past than imagining a wild new future, one in which people are free to buck expectations and live whatever kind of life feels truest to them. She remains refreshingly cognizant, meanwhile, of everything that's left for her to learn. Which sounds unremarkable, maybe, but is anomalous among people for whom all the traditional signifiers of success (fame, adulation, profit) have been realized. It gives her a specific charm -- an uncommon openness.

I believe her when she says she's the least judgmental person ever. "As long as you're not hurting anyone," she says, "your choices are your choices."

Go here to see Miley's Paper cover and to learn more about our Use Your Voice issue, on stands June 22nd. Find out more about the Happy Hippie Foundationhere.

Creative direction by Diane Martel, body paint by Ben Jones, styling by Simone Harouche, makeup by Pati Dubroff using M.A.C Cosmetics, hair by Dylan Chavles for Salon Benjamin; digital tech: Matt Coats; 1st assistant: Daniel Savage; 2nd assistant: Jason Cook; 3rd assistant: Joseph Mitchell

THIS STORY WAS PUBLISHED ON JUNE 9, 2015 10:00 AM

TAGS: HAPPY HIPPIE FOUNDATION, MILEY CYRUS, MUSIC, NSFW, USE YOUR VOICE

Tuesday, 10 February 2015

Miley Cyrus shows off her body in Tongue Tied movie she entered into NYC Porn Festival

She's now making S&M films: Miley Cyrus shows off her body in Tongue Tied movie she entered into NYC Porn Festival

By CHARLIE CARBALLO FOR MAILONLINE

PUBLISHED: 02:30, 10 February 2015 | UPDATED: 15:38, 10 February 2015

She did not take home a Grammy statue on Sunday, but perhaps she has found a niche more suited to her talents.

Miley Cyrus' art film Tongue Tied will be viewed at the upcoming NYC Porn Film Festival.

The 22-year-old singer leaves little to the imagination in the racy bondage video - with only electrical tape covering her nipples and Latex panties preserving her modesty.

Scroll down for video

Racy: Miley Cyrus' art film Tongue Tied will be on view at the NYC Porn Film Festival later this month after the singer submitted the black and white video

The Climb hitmaker submitted the video herself, the film festival founder Simon Leahy revealed to New York Post.

'She's starting to become more of a contemporary artist,' he said.

In Tongue Tied, the provocative pop star strikes sensual poses as she performs acrobatic maneuvers, douses her flesh with body paint, wields whips and hangs from a rod with her legs spread.

Trippy: The provocative video features many surreal scenes like this one where her torso is split

Sexy: The blonde strikes alluring poses and wears very little in the film

Acrobat: The pop star hangs from a rod with her legs spread

The blonde is clad in very little in the surreal flick, save for latex underwear, a bondage mask, fishnet stockings and nipples covered with tape.

In one clip she wears nothing at all - leaving her bare derriere only partially obscured by stems of roses.

The mixed-media black and white video is peppered with psychedelic imagery, including superimposed illustrations, floating heads and repetitious frames.

Good company: Miley will not be the only famous name on view at the festival - Tila Tequila's hardcore sex tape will be on show

Tour tease: The singer used the film during her Bangerz tour last year

S&M: The Climb actress dons a bondage mask and wields whips

Tongue Tied, directed by Quentin Jones, was released on May 1 and used during the Hannah Montana actress' Bangerz Tour last year.

The director has worked on films for Channel, Kenzo and Louis Vuitton.

The former Disney star's video has been compared to erotic novel turned film Fifty Shades Of Grey and Madonna's Justify My Love S&M music video.

Flesh on show: The singer wears latex underwear and electric tape over her nipples

Hanging around: Tongue Tied, directed by Quentin Jones, was released on May 1

Surreal: The artsy film's director has worked on videos for Channel, Kenzo and Louis Vuitton

The Party In The USA singer will not be the only boldface name entertainer screening a risque film.

Former reality star and social media personality Tila Tequila's hardcore sex tape will also be on view during the festival, which begins on February 27 in Brooklyn.

Meanwhile, Miley cut a seductive figure at the Grammy Awards on Sunday.

Smells like roses: Miley's derriere is partially obstructed by roses in the video

Testing the boundaries: The Porn Film Festival founder said Miley is 'starting to become more of a contemporary artist'

Lovely in latex: Miley is seen tied in ribbons and latex in the film

She sizzled in a black Alexandre Vauthier gown that featured triangle cut-out pieces on her torso and hips.

The singer was nominated in the Best Pop Vocal Album category for her Bangerz album.

Sam Smith took the award for his In The Lonely Hour album.

Natural beauty: Miley appeared to have on no makeup in the film

Animated: The mixed-media video shows outrageous scenes, including floating heads and superimposed illustrations

Ahead of the class: Miley is a standout among her peers - openly flaunting her sexuality

Seductive: Miley sizzled in a black Alexandre Vauthier gown that featured triangle cut-out pieces on her torso and hips at the Grammy Awards on Sunday

Miley Cyrus shows plenty of skin at 2015 Grammy Awards